The entire album can now be downloaded (for free).
Thanks for visiting. Future posts and updates will be at our band blog.
And thanks for listening!
Adrian and I have been really busy; too busy to update the blog.
It’s the new school term for Adrian, and I’ve been swamped by work stuff that’s taking my time away from creating any new musical works lately. But it’s pretty normal, considering that almost everyone is back at work and things are picking up from the leisurely December pace.
Anyway, Jon finished the artwork (a main cover and the inside cover).
I’ll be adding the artwork to the MP3 tracks (via iTunes). Upload them to Archive.org. Burn the CDs and labels. Give them out to the reviewers.
Thanks again, Jon.
But I digress.
Divya was one of those I “ambushed” in Gmail. I saw her online and I asked if she’d like to review the album.
So here’s her review:
It is a wonderful first album for the band and is a great collection of tunes inspired by the sea.
My favourite track is the Dolphins Galaxia 1.1 – basically for its variation of tunes used and being so soothing. Sea Anemone and Sea Breeze were the other two songs I couldn’t forget. The rest of the songs seemed like good “background music” to listen to while you are at work. Well, that is just my take anyway. When I listened for the first time, the laughter of the child seemed unique, but the second time it sounded slightly longer than what I thought it should be.
But, it is a good first album nevertheless! I would definitely listen to all the songs again !
Her post, here.
Heh… “good background music”. Thanks for being gentle with us, Divya. LOL
But I’m not complaining. It’s useful to know how each reviewer perceives the album.
Thanks Divya! One free CD coming up.
I’ve no idea how many people visit Youth.SG but I have the impression they run a pretty successful youth portal (they ran this neat blogging contest in 2007). Well, to my knowledge they were one of the first government-backed site to start a blog.
So you can imagine how tickled I was when Youth.SG editor, Lai Chow (a ‘she’, not ‘he’), emailed me to say they would be reviewing SeaStars 2007.
WTF (what the Fish)!?
Youth.SG reviewing the songs of two “old fogeys”?
So it was with trepidation that I read their review:
This being the Starfish Stories’ first stab at an album, it’s a rather noteworthy debut.
Hoookay… “rather noteworthy”. Meaning, “give them two oldsters a chance?” heh. I bet there’s a “But” coming up:
Its good ol’ mellow, soothing, and somewhat melancholic music somewhat rues the violence of the world. Waves gush, toddlers giggle. Seastars is soft, easy-listening music, and it’s not afraid to be so.
OK, so far so good. Still no Buts. So I read on:
I must say SeaStars qualifies as very good contemplative music; I can imagine this playlist looping over and over in my iPod. It’s not just music for those sentimental nights by the sea (even though Singapore is an island). You can take this anywhere with you, even to chill-out cafes, hotel lounges, Starbucks, or even if you’re home alone on a rainy day.
It’s so easylistening, I almost fell asleep after listening to the album. I’m wondering if that’s good or bad.
To sum it up, SeaStars is a product which is the complete opposite of what the popular indie rock bands are doing in Singapore. Forget dueling synthesisers or guitar wizardry. With piano and classical guitar-driven arrangements dominating the album, this is music that goes back to the basics. The only slight problem you might have is distinguishing tracks from one another, since the tunes just pour into one another like waves.
Full post, here.
I wonder if the reviewer, Benjamin Tay (who’s 19 of age, according to Lai Chow) was being polite to us since we’re like “Uncles” and all to him.
It’s not that I’m not appreciative of his positive review. Just that after from all our reviews so far, I just took for granted there must be some areas that the album could be improved. And people have not hesitated to tell us so!
Plus, how many youngsters were likely to like New Age?
So thanks very much, Benjamin (and Lai Chow).
You made these two Uncles happy, LOL.
… a textbook case of how the production, publicity and distribution of the album was aided by technology and the internet.
Ivan has solicited for reviews from bloggers in his network and one common criticism has been that the tracks seem similar to each other after a while. I have to agree and feel that this issue is a result of the form of collaborative production (emailing tracks back and forth) between Ivan and Adrian.
Maybe something to consider for the next iteration of the album would be to not tackle something as ambitious as a whole album in one go.
Perhaps, taking the approach of famous music podcaster “Poddington Bear” – who releases a new song every alternate day, the duo might think about releasing one track at a time? …
Adrian and Ivan might get feedback even earlier from their fans and critics if they blog each track as they go. The album will come together as a result.
The standout track on the album for me so far has to be “Flowing with the waves”. It’s an interesting track that sits in the middle of the album (and hence between the stars and the sea?).
The instrumentation here is very good and the performance of the track is all heart and communicates the track’s message of just going with the tides and currents.
I believe this is what makes the amateur artist in the era of the internet stand out – the belief and sincerity of their work.
And more importantly, to play like you’re having fun in this whole endeavor. To be the rock stars that you could never be in the humdrum mundaneness of the daily job and life
Jude’s full post, here.
“Closet amateur musician/ artist”, Jude?
But Adrian and myself never hid anything! LOL
Jude suggested that we release individual tracks rather than the entire album.
Actually, we did just that.
For Adrian and myself, when we felt each track was ready, we published it on the blog and solicited for comments. Most notably, the Into The Deep track, where I decided to revised the guitar effects after some unexpected — but valid — comments.
But not all our friends bother to comment for each individual release. In the end, I got a lot more responses (from the same people ) when I said the album was complete and ready for review.
I guess people prefer to listen to albums rather than individual tracks.
Or maybe the lure of the word “FREE” (CD for helping us review). Heh.
I particularly loved the first sentence [of her email review of SeaStars 2007]:
If you took a conch shell and place it to your ear and let it tell you tales from the Indo-Pacific oceans on a starry, starry night by the beach or out in the calm open sea… it just might sound like Seastars 2007 The Album.
Suyin has the ability to dream I guess in her own special way…
Here’s the rest of the email she sent to Ivan and me:
Seabreeze, as you already know, is my favourite, for the simple reason that it invokes fond memories of childhood for me (although there are no seagulls in Pangkor) and a somehow warm feeling of being “home” or being centred once again. The guitar melody here is best! The erhu and sitar provide pleasant unexpected touches except for the cymbals and gong at the end… I suppose conch tales would not be complete without bits and bobs of influences from the Orient lands.. heh.. Two others that I particularly liked are Starfish (loved the acoustic guitar and its tweaks) and Stargazer (the emo electric guitar is lovely, but sayang the ending’s not very gempak lah).
I don’t know what gempak is but this Malaysian girl often uses these terms in conversations.
And here is the last paragraph that speaks much about why the songs were written – to capture a sense of tranquility and the spirit of days at the beach, stargazing and just being. Like cycling down the beach and noticing the coconut trees in the seabreeze:
I like how there is a sense of peace throughout the album and depending on your state of mind, you might drift off and rediscover some magic moments in your own tranquility.
Thanks Suyin! You get a free album even though you insist on buying it. Don’t let Ivan make you pay for it ah! Just kidding. He’s too nice.
From the 21 reviews so far (thanks folks!), one recurrent comment was how some songs sounded similar.
Adrian and I didn’t sit down to compose anything together. It was “pass-me-the-MP3-and-add-my-track-on-top-of-it” mash-up style. Turned out our choice of tempo and beats were similar throughout the tracks. Not necessarily a bad thing, but perhaps the “interestingness” factor was diminished.
In her review, Lingfeng asked if we’d specially arranged the sequence of the songs.
As Adrian explained at this earlier post, the original sequence was to give the impression of a journey from the Seas to the Stars, and back again. But from the reviews, we realised it wasn’t self-explanatory and perhaps the intent was too subtle.
So we discussed and agreed that “Once Upon a Star” to song#2, “Flowing with The Waves” should become song#3, “Sea Anemone” to #5, then “Starfish” to #7.
We don’t think it will change the “feel” of the album very much but alternating the guitar and piano pieces might improve the overall listening experience.
The other recurrent comment was how the ambient sea-sounds overwhelmed some tracks (particularly for “SeaShore Days”).
I asked Adrian if we needed to re-engineer Seashore days to tone down the wave effects? However, I was reluctant to do so because I quite like the sound of waves.
Final decision — we leave the sound engineering alone.
Adrian put it succinctly: “I think we have to let it go. We need to progress [i.e. move on]“
As much as we want to please our listeners, it’s impossible to create an album that is universally appealing. Everyone has different musical tastes and levels of discernment.
At least 3 or 4 reviewers clearly liked the album.
For our first attempt, I’m happy with that